Problematic father figures and a pill-pushing doctor lead a Danish man into darkness in Isabella Eklof's powerful drama echoing with colonial conflict.
Jan is on the run from himself and his traumas after being sexually abused by his father. Now he lives with his family in Nuuk, Greenland, where he works as a nurse and does his best to assimilate into the local community. However, his past catches up with him through a letter from his now dying father, plunging him into a downward spiral of drugs and extramarital affairs. Emil Johnsen is captivating in the lead role, portraying Jan as both boyishly fragile and deeply unsettling. Haunted by his own father figure he's reflecting Denmark's paternalistic relationship with Greenland and its population. Isabella Eklof follows up her acclaimed debut (Holiday, GFF 2018) with a courageous exploration of human darkness, based on Kim Leine's autobiography, solidifying her position as one of our most exciting Nordic directors.
双重含义的格陵兰语kalak,为电影也赋予双重含义。这是一部有关于移民的文化摩擦、认同、排斥与歧视的放大展示,而北欧的氛围和男主的早期苦难背景让孤独与痛苦不断加深加重。嘲笑、歧视、迎合、尴尬和孤独被冷空气、阴暗的天空和风雪吞噬。社会团结真的能实现么?当然不克不及,融入就代表着自身的消减,特征被稀释,成为kalak。这部影片其实看得人其实不舒适,除了剧情本身以外,还有就是导演手法,放大「性」,把女性作为一种施展阐发工具来展示情感与内心宣泄,这让人看得其实不舒服。
过于失望
傲慢 苍白
第一个格陵兰女孩的话涵盖了全部我想说的,没有归属感并非你对待别人差劲的理由,不是只有你一小我私家被伤害。前面大篇幅描述男主堕落沮丧的画面可以说是毫不令人共情。只能说最后那段勉强拉回了一些故事。
这片是拍出来恶心人的嘛?!
影片包含大量格陵兰岛当地风景、人文画面,很有特色。女性观众不友好,全部女性角色某程度上都沦为男主角的发泄/排解孤独的工具。
(6/25)6.0/10第一顆究竟是三小,問號耶。這已經不是有沒有缺陷的問題了,這個主角根本是個一等一的垃圾,操。
烂